Threads 1 to 50 of 268
Good point lawson-stone! Thanks for chiming in on that.
I like that. To rp… I think a big part is compartmentalizating performance from practice. That took a really long time, but when I’m feeling good, don’t really think much while I’m playing....
I find it easier to work with a lick (or small number of licks) that uses the concept. The lick becomes a reference for the concept. Then I expand out and make variations of the lick based on the...
I agree with Bobby. I’ve been messing about with pentatonic patterns and triad pair stuff for quite a while, but it’s only gradually creeping into my playing. Takes a frustratingly long time. I...
^ Work it as an exercise, work it in more natural context, work it in a tune. Do this repeatedly until it's in your playing. It takes many attempts and failures, doesn't happen immediately.
When I read threads about multiple theoretical considerations I often wonder how players employ these concepts in their daily practice and when performing. My experience is that it's very...
I played the melody on it a lot. And on the biii dim in that one I played the melody every time. whoops. But yeah I think Embraceable You is a little trickier.
Huh? I think it’s relatively straightforward, to be honest. Mostly diatonic moves in Db (A section) then in D (B section). Mostly using chunks of stuff you can find in other tunes.
If the pickup senses the string near the node (24th fret equivalent) it will sound a little mellower than if the pickup senses the string anywhere else. This, taken to an extreme, is why bridge...
Oh buddy you’re speaking my language right now. Slur into the downbeat slur into the downbeat slur into the downbeat This is obviously tricky for guitar because we can’t easily slur through a...
I had the same thing happen to my Eastman AR605. At the time I worked in the metallurgy department in a very large research center. I took it to the experts, and they tried to weld it,...
I'm trying to move away from picking every note and incorporate slides, pull offs and hammer ons. Is there any conventional wisdom as to the accents these introduce? In other words is it more...
Neck dive? None whatsoever.
You may stop bickering now. The guitar doesn’t belong to me, I haven’t even played it yet. As soon as I can give it a go, I’ll let you know. Gesendet von iPhone mit Tapatalk
Guitar Slurs for bebop
Today, 03:51 PM in Guitar Technique