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I can't claim to have the "right" answer to this, but to me it sounds appropriate.
He's getting mainly the 4+, which is more or less in line with the cymbal pattern.
At 3:58, where he plays every upstroke it accents the chromatics he's playing. To me it sounds like how a drummer would prepare them if they were horn stabs, so I think it fits with that "drums playing Chords"-approach.
As far as you are worrying: It's always good practice to make everything you do a conscious choice, so I guess it's worth practicing to be able to get rid of it (if you want to), but I don't feel like it would bother anyone too much. Especially in a context with a drummer.
I'm also guilty of playing a fair amount of upstrokes by the way.
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Yesterday 04:33 PM
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I have a complicated relationship with upstrokes. Comes from being told I was playing "le pompe" wrong by some hack gypsy jazz player who had some cred for some reason. Guy was a big dick about it, even when I had other players tell me they liked my rhythm. I took it personally. There's an upstroke in that style that people are very particular about.
Then I met a better player who said "just leave it out, most of these guys are only listening to themselves anyway" and nobody ever bitched about my rhythm again.
I think it sounds fine (done sparingly) I just don't do it. I'm sure I'll change my mind at some point.
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I’m mostly paying attention because I was doing it all the time non-purposely
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I think Webby's advice as to "if it's on purpose, it's cool" is spot on.
Actually, regarding rhythm guitar I'd certainly refer to him over me!
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a little bit of rhythm playing.
If I were playing with a group I would have played it differently of course. The main thing is being the timekeeper, keeping that pulse chugging along, and making the rest of the band sound good.
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Polyrhythms
Today, 08:43 AM in Theory