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Another query from Electronically Challenged. Can you use an on-board acoustic preamp with a magnetic pu on an archtop? (HB or SC?) Would the pu overdrive the preamo too much? Something like this:
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07-09-2024 09:56 PM
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I would in fact recommend using a preamp. Magnetic pickups on acoustic guitars usually output a rather low signal, which should not overload the preamp or distort it. On the other hand, the preamp will probably add that extra that makes the guitar sound good, and acoustic, while plugging a magnetic pick up directly into an app usually just makes it sound like a bad electric guitar.
Just my experience
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In my limited experience, preamps simply add flexibility. I don't know of any archtops with those types of preamps though, but I suppose if you had one, and routed the wiring of a humbucker through it (floating or otherwise), you should get more versatility out of the pickup than you would with just the passive volume and tone controls.
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I would consider something outboard that offers more versatility, e.g.
Palmer POCKET AMP ACOUSTIC | Guitar Amplifiers | Palmer
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Originally Posted by Woody Sound
What problem are you looking to b solve?
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My non-expert thought is that that is similar to the setup of a good acoustic amp like the Fishman Artist.
I happen to have a Fishman ProEq 2, which is noted for being compatible with both piezo and magnetic pickups.
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My understanding is that it’s a very transparent preamp that boosts the signal and helps get rid of unwanted high tones, i.e., piezo quack.
I don’t think it would really add much to a magnetic pickup, unless you have no controls on the guitar or want to boost it a little. Won’t really overdrive per se though.
The ProEq2 comes with a belt clip. I guess another advantage is that if you’re a distance away from your amp or plugged into a sound system you can control the master volume and bass/treble from your instrument. That said, I got mine for a piezo pickup years ago and haven’t used it in a long time.
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Originally Posted by John A.
Last edited by Woody Sound; 07-10-2024 at 10:51 AM.
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The main thing is that it needs a input gain control. Some preamps label this as sensitivity, this feature will let you use variable output pickups. Once that is dialed in and the EQ adjusted set the final output. The sensitivity will keep you from overdriving the preamp and the volume will keep you from overdriving the amp.
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Originally Posted by Woody Sound
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I like the outboard approach but remember it is easy to install a onboard preamp in a box with jacks if you want to test before you cut into a guitar to mount one . Heck you could throw in a bypass switch too for testing, or wire a AB setup.....
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Originally Posted by Cavalier
I have a note in to Fishman to see what they think.
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I suspect Fishman will suggest a Fishman pickup.
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I got good results with the Fishman transducer bridge, or whatever it is called. Great acoustic sound through an acoustic amp.
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Originally Posted by Woody Sound
I've had a guitar with one of those Fishmans. It buzzed and rattled until I put a few layers of gaffer tape to immobilise the barndoor and I figured out that the spring in the battery compartment that keeps the battery from rattling will cause weird sounds if there's no battery installed.
Built-in preamps have the advantage that you can't forget (just) them, but their dependence on a battery offsets that largely IMHO.
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Originally Posted by Cavalier
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Magnetic pickup output is less than typical piezo. There is never a problem going from low to high impedance. Modern electronics are designed to accept the range. My new Quilter Superblock has an input impedance of 1 megohm, and it works fine with my acoustic instrument as well as my electric.
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Originally Posted by Cavalier
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Originally Posted by Tom Wright
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I like my LR Baggs pre amp for the features, the gain is blink and you'll miss it tiny, the effects loop and notch filter are handy. The old Barcus Berry is my desert Island preamp, clean simple and unbelievable battery life.
These work great with magnetic pickups too, from old single coil low output up to hot humbucking when you want more control or to tame an output.
For transducers the hottest one is a LR Baggs violin bridge, it is like a hot humbucker and the preamp is to turn it down.
There are a lot of great onboard systems out there, I like the Ovation Op Pro Studio.
Preamps are great for compensating for playing styles to get good signal to noise ratios, light finger style bring it up, heavy pick bring it down.
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