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As you can see from the pictures (I sure wish I knew how to get the pics to upload in the proper format) the "mustache" bridge pieces were missing. There was a small crack on top which I had repaired. I got this for a ridiculous price because of the crack and mustache. The dealer threw in the mustache which I glued back on. (More pics of the fixed guitar to follow)
This fantastic playing guitar was made in Japan by the same company that Makes the Del Arte imports. I believe it is an older model as the neck profile is kind of squared off instead of the more modern C profile of the newer Altamiras. It is very comfortable and sounds great! Currently the only guitar I really want to play.
Played it at gig this past Saturday and it was a delight to play!
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10-24-2016 08:06 AM
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"This fantastic playing guitar was made in Japan by the same company that Makes the Del Arte imports. "
Made in Japan?
It was my understanding the Altamira line is made in China.
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Congrats on your Altamira! They are definitely at the top of the heap of Asian made GJG's. Not to burst a bubble here, but Altamira and Latcho Drom are both made in the same shop in China-not Japan.
I've been very pleased with my Manouche Latcho Drom Djangology. It has a Bigtone installed but I seldom use it, it's plenty loud for most gigs.
That being said, you will end up wanting a Dupont after playing one. I'm currently in the hunt.
Enjoy in good health!
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Originally Posted by bohemian46
You could very well be right. Regardless, the build quality, sound and feel are fantastic. Country of origin is not a big deal to me. I may have just misunderstood.
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Originally Posted by SierraTango
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I've got an MO1D. Mine is older with the more flat neck profile.
Excellent chinese build quality! Mine was set up and by a tech in nashville who made my guitar extremely easy to play. These are great guitars, wise choice.
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Originally Posted by callouscallus
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The Altamiras and their slightly more expensive cousins, the Latcho Drom guitars, are VERY cool instruments.
If I find myself in the need for a gypsy guitar again some day, this is the route I'm headed.
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Congrats on the new guitar. AltaMiras are widely thought to be the best Asian made Selmer copies. A Dupont is in a different league. Kind of like a Benedetto is in a different league from an Epiphone.
The square neck profile mimics vintage Selmers. Dupont does this on their Ville Reserve guitars. Most other Duponts have C or D profiles.
Gypsy guitars sound best with rest stroke picking. It is not a bad skill to develop. Joe Pass and George Benson used/uses it. Michael Horowitz wrote a book called "Gypsy Picking" that is a must have for those who want their Gypsy guitars to sound their best.
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Originally Posted by Stringswinger
I am going to order the Gypsy Picking book. I am working on rest stroke picking and actually enjoying it. I see improvement every day.
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Originally Posted by rsclosson
I have a love-hate relationship with Gypsy guitars. I think they have a great sound in an strictly acoustic setting, but I also think it is near impossible to amplify them well and find them more difficult to play than an archtop. For rhythm guitar in a drummerless combo, they cannot be beat.
Good luck on your journey!
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Originally Posted by Stringswinger
The guitar came strung with Argentine 10s and they sound great! I might try the less expensive D'addario Gypsy strings but have been told that they sound dull compared to the Argentines.
I backed up a clarinet player on about 4 songs Saturday. He said it was the best sounding rhythm section he had ever played with in years, so I have to agree on the rhythm.Last edited by rsclosson; 10-24-2016 at 02:23 PM.
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I have found Argie 10's to be the best. And they last longer than the D'addarios, making them cost effective as well. I agree that the Dunlop 5mm is too mellow. The Big Stubby has a sharper attack than the Wegans. If you want to try a Wegan, PM me. I can make you a great deal on them.
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Originally Posted by Stringswinger
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The last time I did a gig with this, I used it as a solo guitar. I also backed a clarinetist for several tunes using more of my comping style instead of gypsy jazz rhythm. It sounded great in both of these nontraditional (for this type of guitar) styles.
I had brought my 7 string along but it never left the case.
I am getting more and more convinced that this can be my "everything" guitar. Kind of surprised about that.
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Dude, you're totally making me fiend for a GJ guitar again. This is not good
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Originally Posted by mr. beaumont
I am also wondering how something like an Epi Century would work as a rhythm guitar.
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Originally Posted by rsclosson
I'm actually still completely head over heels for this cheap Ovation I bought this summer. It's covering a lot of ground I would have used an archtop for, which is crazy.
I had a long scale D hole, really was a great guitar. I sold it last year, was getting out of the gypsy jazz thing and it was collecting dust. Probably should have just hung on to it.
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Originally Posted by mr. beaumont
Raney and Aebersold - Great Interview (1986)
Yesterday, 11:21 PM in Improvisation