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My new AS153 came with 10's but I've read a number of times of people using 11's or 12's. If you use the heavier may I ask why?
Thanks
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03-24-2018 09:42 PM
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Originally Posted by vashondan
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12's. Fuller sound. Responsive to a pick.
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11-49 nickel plated steel roundwounds are always my first choice for a semi.
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11-49 on my ES-335. Plays and sounds fuller to me.
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12s for my taste. 11s feel floppy for me.
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Used to do 13s but now I save those for the archtops and use 12s, Thomastik Bebops to be precise. Compared to lighter strings like 10s the only real advantage of the latter is bending and I can bend just fine with 12s with the plain 3rd from the Bebop set (although I don’t use a plain 3rd on my other guitars with that set). But really I don’t bend much unless I am playing a musical that calls for it. The advantages of the heavier strings are that I can get lower action with more dynamics than lighter strings and the sound is beefier. But really the low action/dynamics is the real reason I use heavy strings on all of my guitars. After playing them for so long, 10s just feel weird.
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On my ES-333 semi I use the same as on all my 24.75” scale guitars (be it semi, solid or fully hollow): 0.012 set with .013 high E.
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11-52 roundwounds - I'd like to think the tone is a bigger, but mainly because I find 10s flap about too much, and also I can't seem to get the action quite as low without buzzes. 11s just feel more precise to use, and I can still do bends and vibrato fine. In my opinion they hold their tuning a bit better too.
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.12s (d'Addario EJ21) with wound G.
I use this gauge because I prefer their tone to lighter strings. I use this brand because it seems to me to be about the right balance between cost and value.
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11-49 nickel / steel D'As with wound G are perfect for me.
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For my 1965 ES-345TD-SV: 11-49s
Tony D.
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My ES-339 is happy with D'A ECG 25 now. (Used to be with ECG 24, but it has grown up :-) )
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Thanks for all your responses. Guess I'll give 11's a try as a change. Wondering about the flatwounds. Are they an adjustment to play? What are the pros and cons?
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Flatwounds are great. As far as pros; they’ll make nearly any guitar sound like a stereotypical jazz guitar. Interestingly, that’s also the con. I don’t put flats on my 335 style guitars because I want them to sound and play like what they are. I have other instruments that are purpose built for jazz. If you have just one or two instruments, it’s obviously another story.
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Originally Posted by vashondan
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Gibson VR10 on one and Pyramid pure nickel round core medium (11-50) on the other.
my 59 VOS came with the VR10s and it sounds and plays great so i’m sticking with them.
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I use 10-46 D'Addario rounds on my semi-hollow. I use this guitar for other stuff (including, shudder, string bending) in addition to jazz, and prefer lighter strings for that. I don't actually find lighter strings to be inherently thinner sounding. Rather, I find that they feel different, and respond differently to harder picking. But with the right touch and volume/tone settings on guitar and amp I can get very fat/warm sounds. I prefer heavier strings (12-52, usually) on my archtop for the contrast that offers in attack and in the way it responds to picking. But I don't see one set up as better for jazz than the other. Different flavors for different contexts or moods.
John
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I use 11's on an Epiphone Dot. I found these interesting strings from Ernie Ball. I think that they're called "Beefy" or something like that. So, they're 11's but the middle few strings are heavier than they might be otherwise. I don't know all of the gauges off the top of my head.
I found that it works great for blues and rock with the tone up a bit. Roll the tone down and it gives a nice jazz tone. They are round wounds. Just thought that I'd pass that along.
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