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Originally Posted by Marcel_A
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07-17-2020 09:22 AM
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It must be the age. I’m 51 asswell.
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Originally Posted by Marcel_A
I don‘t like the way you generalize things with statements like „that‘s a bad amp“. It isn‘t and what sounds bad for you may be fine in someone elses ears. I‘m playing vintage Fender amps and owned some boutique amps- oh ja, I guess I can tell good amps from bad amps. Even Paul Pigat likes the tiny cub8...
A good speaker and good tubes are the basic ingredients for any tube amp, but that’s a part of the game with them. Anyway, good to see you‘re happy with your solid state amp. I personally don‘t like ss or digital amplifiers because of their basic tonal characters. But I wouldn’t call them „bad amps“.
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Oh, but i like tubes. I just don’t like the Laney. It had nothing to do with ss vs tubes. I played an lot of good tube-amps. The cub 8 is just not one of them.
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Originally Posted by Marcel_A
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I just grabbed a 5 watt Fender Champion 600 with an EHX power tube and a Tung-Sol preamp tube with the stock 6" speaker. The previous owner also replaced the original grill cloth with one made of a thinner fabric. It also has an output jack for an external speaker if you want! I love the tone and it's the perfect volume for my small apartment!
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Why the '600' name? Is that the output in milliwatts?
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Originally Posted by sgosnell
The original Fender "Champion 600" was produced between 1948-53. Fender also made a Champion 800 with an 8" speaker while the Champion 600 model has a 6" speaker. Other than that...that's all I know. After 1953 Fender went to the tweed style cabinet that everyone is familiar with.
Here's an original 1950 Fender Champion 600.
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Originally Posted by Little Jay
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Originally Posted by sgosnell
Note on the Laney cub 8: i played it this morning for a while. It's NOT a bad amp. It's fine (i'm suffering serious moodswings when it comes to amps . . . ), but it has some limitations the DV mark has not.
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on the Champion 600 Reissue:
The reissue is a nice little, blackface-voiced amp. It bears almost no resemblance tonally to the original, which had an octal preamp, alnico speaker, and tube rectifier... along with a Champ tonestack. It was basically a little tweed monster BEFORE the little tweed Champ was ever introduced. All the modding the community did to the reissue was to try to get it to sound more like the original.
Video: 3 Champion 600s: a stock reissue, a Mercury Magnetics modded reissue (sounds awful, imo), and the original (which sounds amazing). Of course, this isn't for clean tones: in this video, they are all cranked.
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I'd say any solid state jazz oriented combo, Or a Fender Princeton, maybe Deluxe Reverb
If you have money, a Carr Sportsman is great
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Originally Posted by ruger9
I have seen that testing video before (it's impressive) and was looking at all the other YouTube videos people have posted of their modified reissue Champion 600's and I decided the extra gain and overdrive is not for me. Oddly enough I prefer the stock settings but I think the best thing done to it was replace the cheap stock tubes with the better aftermarket ones. When I got this little amp home I wasn't expecting much and was expecting less head room than it has. I was very pleasantly surprised! Now some folks replace the speaker with a Weber 6 and other folks say the stock Fender speaker is fine after it's broken in. I have no issues with it as it is. My motto is: "If it's not broken don't fix it".
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The old champion 600 sounds nice indeed!
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Originally Posted by ruger9
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Originally Posted by ruger9
If I don't like what I'm playing I don't buy it. I need to know I like it before I part with the piasters. If I decide to mod it later, well, that's just fun-and-games -- I still know I like the amp as-is. Only rarely modded anything beyond twisting the knobs ... it works for me.
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Most 5 Watt tube amps sounds basically good, there’s some kind of magic in those small tube amps- guess why they’re used by so many of the greats! Maybe it‘s the perfect combination of things? The simple circuit? I don‘t know, but small amps are much more responsive and dynamic compared to bigger ones.
Here‘s my Swart STR Tremolo- a high priced boutique 5 watter. Fantastic amp. But does it sound significantly better versus my Laney Cub8? The answer is honestly: NO.Last edited by Stefan Eff; 07-19-2020 at 03:26 AM.
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Well, Stefan the video reviewing the three champions shows the significant differences between 5 watt amps from the same producer. It’s hard to tell from a video, but i don’t like ‘em all three.
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Originally Posted by Marcel_A
Something I can also highly recommend with the cub8, at least with a good speaker. The stock speaker sounds more or less linear, boxy and british, but you‘ve already found your amp.Last edited by Stefan Eff; 07-19-2020 at 03:31 PM.
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Originally Posted by Stefan Eff
I guess my bias towards bigger glass and paper is obvious, but I like having more headroom than the average 1x10"/ 1x 6V6 can deliver, IMO, YMMV, apply topically where needed.
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Originally Posted by Thumpalumpacus
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Originally Posted by Stefan Eff
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If it's necessary to modify every amp by changing tubes and speakers, or other components, then those amps aren't that good, IMO. I don't want to have to spend the time and money to get an acceptable sound. I have amps that sound good out of the box, so I'll leave the tube stuff for those who have nothing better to do than experiment with them. I prefer to just sit down and play.
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Oh I disagree. If you have something that's configured for a blues player, for instance, it could be tweaked to work better for a jazzer.
Small amps are generally considered a recording amps by most players, so they want to have them break up a little early to get that classic crunch. Some players will like that. However you can get more clean headroom if you swap the speaker out for something more efficient; probably better if you are playing complex chords and don't need filthy gain. It takes a few minutes and not much money.
So I think you'd be daft not to at least consider a speaker swap if you like the amp but want to enhance some quality of it (such as clean headroom so you can use it for jazz gigs, for example). It doesn't make it a bad amp.
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Originally Posted by christianm77
And I've gone to the extreme of this: I took a Champion 600 reissue, lifted the tone stack (to remove it's blackface tonal qualities), put in a much lower-gain tube in the preamp (because lifting the tone stack caused a great gain increase), put in an NOS 6V6, and a hemp cone 8" speaker. All in an attempt to make it sound like the original C600. In the end, it was a cool little amp... but I should have been searching for an original C600. Point being, if you love tweaking for tweaking's sake, have at it! But personally, I wouldn't waste my time... if an amp sounds BAD (not "I like it, but..." it sounds BAD to you) out of the box, put it back in the box. LOL
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