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I don't have the proper tool to measure fretboard radius and I am getting quite different answers with regard to this: What is the fretboard radius of the 1930s Gibson L-5, L-7, etc. Did this differ by model? Did it change over time?
I am just curious. I have heard everthing from 6" to 12".
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05-13-2021 06:38 PM
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It changes over time. And there is probably intra-period variance.
My 1928 L-5 has a very flat radius. Possibly more than 12".
My 1934 L-7 (sold) had a rounder radius, probably around 12 exactly.
My 1936 L-7 (sold) had an even rounder radius than both, almost felt like a 9.5" fender neck.
Neck profiles also change over time.
Mid 20's - large v neck
Late 20's - Early 30's - medium D neck
Mid 30's (pre-advanced) - large v neck
Later 30's - medium D neck
(I have little experience with 40's acoustic archtops from Gibson, but their 16" guitars from the 40s have very full C necks. Like a baseball bat cut down the middle.)
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Gibson has used a 12" fretboard radius for years.
Some old Gibsons apparently used a 10" fretboard radius.
Some flattop acoustics used/use? a 16" fretboard radius.Last edited by Hammertone; 05-14-2021 at 03:30 PM.
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Any Gibson guitars have like Fender neck, narrow nut and 9.5 radius?
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"Neck profiles also change over time.
Mid 20's - large v neck
Late 20's - Early 30's - medium D neck
Mid 30's (pre-advanced) - large v neck
Later 30's - medium D neck
(I have little experience with 40's acoustic archtops from Gibson, but their 16" guitars from the 40s have very full C necks. Like a baseball bat cut down the middle.)"
sorta kinda. depends if your using the old Bellson or modern Spann [correct] serial number/dating info
In my experience having handled a good number of L-5's for example, Loars are Louisville Sluggers, later dot necks [previously thought to be '27-'28 by Gibson executive/historian Julius Bellson but actually '29-'30 according to Joe Spann] modern C shape [da best]. then V neck w/block marker models early to mid 30s.
later 40's and most 50s are a very full C until mid '59 ish.
There's a number of changes from '60 on but I've covered those yrs to the best of my experience a zillion times here. a forum search will yield my usual yammering about specs/minutia
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Most L5/L7 guitars that were sold once Gibson started listing radius are 12", iirc.
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Originally Posted by Greentone
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This is getting interesting. I have never played (for any length of time) a guitar with a radius of less than 12 inches. My main guitars for years were a 1952 Les Paul and a 1961 ES-345. both with a 12 " radius. I have a Rutters Tele and a Strat with an Eric Johnson neck, both of which have a 12" radius. I am very much used to the feel of that flatter board.
The archtop I just bought earlier this year - a 1935 L-12 - is full of surprises, including what a guitar tech told me is a 6 " radius.
Is it possible - heaven forbid - that a previous owner had it re-radiused?
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They are listed mostly as 12 inch radius but measure twice and re-measure. Then to sure check again...........not always on the money but close.
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I talked with my tech guy again and he is absolutely convinced that this guitar was made with a 6" radius. He sees no evidence of it being altered.
As I said, I have no real experience but I am getting more used to the neck the more I play. But I would still like to know more, even if just to satisfy my historical interest.
I would love to hear from anyone whose 1930s Gibson archtop has a 6" radius.
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Originally Posted by BigDaddyLoveHandles
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The Gibson radius feels great on a Gibson and the Fender radius feels great on a Fender.
I don't know why.
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Originally Posted by doc w
12" Neck Radius?
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Originally Posted by omphalopsychos
I think that you have solved the mystery for me. If it was only one with the 6" radius, I would wonder just what went on. With two 6" radii in the same number range, I feel confident that the radius issue was in transition. There must be more.
Thanks a lot for this info!
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rpguitar is Roger. He's a long-time member, here. He's also one fine archtop guitar player.
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Thanks, everyone. Another little bit of knowledge rises to the surface and I get to know some folks a little better.
Two guitar version of Finnish trad....
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