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It does seem like you missed the part where I said pretty much exactly this. For your convenience: of course different approaches will make certain ideas more immediately obvious, but they...
It's more than that. If a player is thinking dominant over ii-V's and another player is thinking minor over ii-V's, and if you transcribed lines of these players play over ii-V's, you are probably...
As for fingerings, for the record, the 4th finger is used sometimes. I dont think this would be codified but probs 1st finger stretches and slides and playing more from a CAGED shapes as opposed to...
Three finger technique can also be better biomechanically. Your fingers move faster when flatter and with motion from the big knuckles. Curved fingers are slower. Try sticking your hand out in...
The Stapleton with the 12” has plenty of headroom. Have used it numerous times with rock drummers.
What I like on my HRF you can adjust a string tune without letting your fingers off the fingerboard, I adjust the fingers to mid height and don't care about "tension".
Took it all apart and actually it's better made than I thought so I guess perhaps mine just had a flaw in it but the end pin strap button is made of plastic. Jeez!
Completely different amp. This circuit is closer to a tweed vibrolux/ Harvard. It has more midrange and breaks up earlier on the dial. The tremolo is a harmonic trem and it has no reverb. I had a...
I’m referring to the notion that both strategies would chunk together the ii-V into one unit and allow you to play G7, Bm7b5, Dm7, and Fmaj7 over that unit. So if the bass player is playing D for...
Circuit-wise 6g2 vs AA764… brown panel vs black panel. I’ve owned a vintage 1962 6g2 with a 12” speaker (like the Stapleton) and a vintage 1964 AA764. The Brown Panel is more midrange-y while the...
It seems like you are saying that practicing by thinking G7 G9 G9sus and G13sus vs Dm6(11), Dm6, Dm7, and Dm9 produce the same sonorities and they are just different labels for the same type of...
Of course not. But the project of applying a single piece of language as widely as possible is incredibly practical and a super important part of learning how to improvise. And with Barry for...
Yeah, I know that BH quote. I don't think you quite understood my post.
Fender Chris Stapleton Princeton
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