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I think you are right and I really found it hard to imagine a plastic piece like that being an original part. Thanks.
Oh, so do I, but as an exercise in getting round a tune it's nothing, stick one note in, arp the dim chord, whatever. The rest of the tune is probably a lot more troublesome to play. In fact, it...
I call it a [pre-fabricated] text module because it is the same all the time. Uttered the same on every occasion. Call me rude if you wish. These are rude times.
yes that works too, but also playing nice songs since they are slow, i also warm up like that. I used to use this to warm up https://youtu.be/8BbiJhN9YYY
Anyways I fixed it I noticed that the singer used free singing anticipations contrary to the original one and the score. Now is synchronised better https://youtu.be/8BbiJhN9YYY
Yeah I don’t really notice the tune in particular mattering much but definitely a preference for American songbook, singable melody stuff over bebop tunes and jazz composers.
I mean. I play tunes and still find this stuff interesting.
my idea is that this technique allows a better flowing phraising, because you have to thik to the fretboard like a piano player; you are forced to think to the notes and try to reach them; that seems...
still not very helpful: he teachs more inclination in left hand but doesn’t play like that. and he teachs how to go forward but not backward, which is the less intuitive way to me…
You know, this thread is about the second chord of Embraceable You which happens to be a bIII dim. Probably, if one is soloing over the tune, which is not fast, it would take about a single second to...
That looks like a Fasan archtop with a Hopf tailpiece. Same difference - a mid-level 16"+ archtop with a solid spruce top (pressed or carved), laminated back and rims, built in the 1950s. It appears...
Nothing is idiot-proof. The idiots are too resourceful. Idiot-resistant is possible, but not idiot-proof.
Nearing the edge of nowhere- electric
Today, 01:24 PM in Composition