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.. his lines ?
"If you can't sing it, you're not really hearing it" - True or False? Keith Jarrett was possibly one of the greatest improvisors of all time, and we know how well he could sing!There are too many other examples of people who appeared unable to sing what they played, yet there have always been people who can (and do) it that seem to feel if others can't and don't do it, they are somehow illegitimate.
Singing anything that is fast with a lot of chromaticism is actually quite difficult, even if you hear it quite clearly in your head, which I think is more useful.
Any thoughts?
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01-08-2024 09:14 AM
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You can't sing with a horn in your mouth.
I try not to worry so much about legitimizing someone else's dogma. I have my own dogma to worry about. I usually tell someone something like "I haven't gotten to that yet, there's so much to work on and only 24 hours in a day" when they start giving advice or suggestions about my practice routine.
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And then where does it end?
George Benson is a great singer, I’m not sure he nails everything he sings when he improvises. I think it’s more for the rhythmic aspect. Does that make him illegitimate? Ditto Holdsworth who I can’t imagine sang (m)any of his lines…
But I do think Parker could sing his lines. Most horn players I know can sing the stuff away from the instrument and Parker was… well, Parker after all.
So for me, it’s false and a little unfair of a claim to make, certainly against the greatest improvisors that aren’t known for outwardly doing it. But is it a helpful thing to do and integrate into one’s playing? Most definitely! I certainly try and make a point of doing it.
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Originally Posted by BradGuitar
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Originally Posted by BradGuitar
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Originally Posted by BradGuitar
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Originally Posted by AllanAllen
Does it even mater?...
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This is kind of a false dichotomy.
I definitely think if you can’t sing it you can’t hear it.
But no one ever said you have to sing it well.
Pitches are kind of a different thing (particularly on piano and guitar) because there are other ways to find a pitch. You can see that you’re on the right fret and string, etc. there’s something similar with saxophone but intonation is very flexible. Brass, that starts to fall apart.
Any band class … band plays a Bb. It’s whack. Director stops. Play it again. Still whack. Zeros in on the trumpet. Play it again. Trumpets are whack. Trumpets — sing Bb. Director sings. Trumpets sing. Now play Bb. Trumpets play Bb and it’s way better.
Rhythm is where it really shows up. Whenever anyone is having trouble playing a rhythm I tell them to put it in their ear (hear it), put it on their body or in their voice (tap it or sing it), then put it on their instrument. Works like a charm.
But for real … no one needs to be able to sing beautifully, but hard to show that you’re audiating is you’re not able to match pitch, however shakily.Last edited by pamosmusic; 01-08-2024 at 10:16 PM.
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Originally Posted by princeplanet
Originally Posted by AllanAllen
Originally Posted by princeplanet
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Pretty sure that Oscar Peterson sang what he played.
Doug
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Originally Posted by Doug B
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Originally Posted by princeplanet
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Depends what it is you're singing. The sheets of sound of late Trane couldn't have been sung - certainly not at the tempo they appear, and also the fact he uses multiphonics!
So long as you can hear it and can play it, does it matter?
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Originally Posted by James W
Could Coltrane sing those lines note for note? Shrug.
Could he sing the structures or outline the extremely dissonant clusters and that sort of thing? You’d have to convince me he couldn’t.
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Originally Posted by pamosmusic
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Originally Posted by AllanAllen
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Originally Posted by James W
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Mike Longo talks about "grunting pianists" (IIRC Herb Ellis grunted as well when playing) and what he learned from Diz about Kundalini energy in music:
EDIT: As embedding is disabled the timestamp does not work. Impatient go to ca. 55:00 min.
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Chet Baker used to sing bebop solos exactly the same way he would play them on the trumpet.
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It's important to understand that at high tempos, even great players might not be "hearing" every note they play. But they may be hearing "touchstones," kind of a reduced melody version of their line.
Kind of like, I know I'm driving from Chicago to Baltimore and I've planned a stop in Cincinnati, but some other things I do along the way might just happen...
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It’s rare that I’ve ever met a black person who couldn’t sing, or dance.
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Neither Stanley Crouch nor Ron Frankl mention Parker singing in their biographies. Robert Reisner, in Bird: the legend of Charlie Parker, writes (p139), 'Although raised in Catholicism — he mentioned once that he had been a choir boy — he rejected the Church.'
Last edited by Litterick; 01-08-2024 at 09:14 PM.
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Can you sing harmony? No. Yet the greats fluently improvised with that just fine. You don't need to sing something to internalize it. If you like singing and feel it helps you then good on ya. I really hate singing tho and prefer to just focus on linking my mind with my instrument by internalizing it mentally, understanding it correctly, and playing it correctly.
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Originally Posted by Jimmy Smith
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Originally Posted by pamosmusic
Samick Jz4 update/upgrade
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