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For me, I find that there are a bunch b9's in the dominants(not all) but don't wanna use any because it makes the comp a bit more..
crybaby-ish.
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06-24-2024 07:28 AM
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I mean the joke is none of the names correspond to the modes the Greeks were talking about anyway - it all got scrambled over the centuries.
A lot of musical development came from people trying to copy the Greeks and getting it wrong.
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This is a nonsense thread and I'm surprised this question is being asked. In any case it was answered quite early on.
The melody note over that A7 is a natural B, loud and clear. So the chord is either an A9 or a straight A7. Playing a b9 or a #9 is obviously going to conflict. You could perhaps alter the 5th, especially as the next chord is a Dm. So an A7#5 (A7b13) would be fine. But altering the 9, definitely not.
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The Kraken Awakes!
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"This is a nonsense thread"
Yes, marvelous isn't it?! Nonsense threads are always the longest - usually at least 3 pages.
"T'was brillig and the slithy toves.... Oh frabjous day, callooh, callay!"
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I tried, but couldn't get past the first page of that . (Enjoyed Ulysses however.) I just googled the poem and noticed it uses the word 'gyre' which I recall being mentioned as a word with unknown meaning in the context of another poem by Yeats. I wonder if he lifted it from Carol?
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The US Presidential Debate
Today, 08:17 AM in Everything Else