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What are the most Uncommon Jazz chord progressions?
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09-24-2014 11:43 PM
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OK, I'll bite: um... how about any progression that modulates down a half step for each successive chorus?
Think I'm wrong? Go find one!
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Modal jazz changes can be the most unusual because often they're written without classic functional harmony and get notated in the key of C for ease of writing and reading, but have nothing to do with C as any key center.
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Here's one:
D#majb9/ % (repeat 18 bars)
I bet its only been composed once. Just now. And never performed. ;-)
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Originally Posted by bobsguitars09
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Originally Posted by pkirk
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The more you repeat it, the better it sounds.... (standard rule for all music... up to a point, that is...)
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Most uncommon jazz chord progression? That's an easy one!
Dmin 0 0 0 2 3 1
G 3 2 0 0 0 3
C 0 3 2 0 1 0
I don't think I've ever heard that one even by Sonny Sharrock and he was pretty out.
David
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I rarely see someone play open G
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Originally Posted by SamBooka
David
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Originally Posted by JonR
;-)
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Probably something really weird that suggests like two Dorian modes a half step apart...that's probably never happened.
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I don't play a lot of modern jazz stuff, e.g. Eric Dolphy, Ornette Coleman, or any of the more recent fusion-oriented guitar stuff.
Out of the standards I play Lush Life has some of the more complicated, unusual chord changes of any jazz song. It's a brilliant song--one can't see how the song is going to work at first glance, but it does beautifully. The Dbmaj7 to D7#11 in the second part is a completely cool touch.
Early Autumn is another one with an unusual beautiful descending progression.
I don't play them myself, but I am a big Zappa fan. Frank was a genius, many of whose more jazz-flavored songs featured some crazy chord progressions. I am reminded of my favorite lyric from the album Bongo Fury:
"The music was… thud like. The music was… thud like.
I usually played such things as rough-neck and thug.
Opaque melodies that would bug most people.
Music from the other side of the fence."Last edited by Doctor Jeff; 09-25-2014 at 05:16 PM.
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Originally Posted by mr. beaumont
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Originally Posted by bobsguitars09
can't think of a song like that
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Originally Posted by mr. Beaumont
Or maybe a dom7 chord going to min7 on the same root, and back...Last edited by JonR; 09-26-2014 at 04:24 AM.
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Originally Posted by pingu
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Originally Posted by JonR
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Originally Posted by Liarspoker
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If there was any crazy chord progression out there I'm sure Monk used it in a song...
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Any progressions or major or minor triads without a 7th and or a ninth but with a lot of first and 2nd inversions. Jazz people just can't resist the 7th.
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Giant Steps is tough for me, can't follow the changes so well as, for example, Horace Silver "Peace" which is complicated but logical imho.
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Nice tune.
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Originally Posted by pingu
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Originally Posted by Takemitsu
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Any progression works as long as there's something holding it together that validates it.
So I guess there must be trillions of uncommon progressions, some of those being all the ones that have never been used in a tune!
Here, I wrote one for you. I mixed "common" progressions with ones that have never been used before (as far as I know) and use the melody to "validate".
Analyze it and let me know if you find any Jazz tunes with the progressions I used here
http://mdecks.com/uncommonexample/th...haveforyou.pdf
http://mdecks.com/uncommonexample/th...haveforyou.mp3
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