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Hey guys,
I'm familiar with maj9/m9/9 chords with the root in the bass but I'm trying to figure out the best way to invert them. If anyone could point in the direction to some chord charts that would be awesome.
Thanks!
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12-02-2021 07:16 PM
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The simplest thing that comes to mind is to drop the root (leave it for the bass player) and work with the remaining chord:
CMaj9 -> Em7
Cm9 -> EbMaj7
C9 -> Em7b5
Sometimes, you can take a resulting chord and stick the C back in:
Em7: x7x787 -> CMaj9/E x7.10.7.8.7
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I'm assuming you want 4 note voicings because if its 5 there would be way too many drop voicings for each inversion (23 of them plus closed). And don't get me started on 6 note voicings of which there are 120 of them for each inversion...
Anywho personally I like ordering the pitches from lowest to highest so instead of 1357/1379 its 1237. Gives me more consistency with organizing other chords
So for 4 Note Voicings you might possibly have
Closed (Drop 4)
1237
2371
3712
7123
Drop 2 and 3
1273
2317
3721
7132
Drop 2
1372
2713
3127
7231
Drop 2 and 4
1327
2731
3172
7213
Drop 3
1723
2137
3271
7312
Double Drop 2 and 3
1732
2173
3217
7321
You could make your own chord chart with this!
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Originally Posted by BigDaddyLoveHandles
then finding the root chord (which may not have the root in it--CMA9--3579) and the three inversions on each set of strings (12 chords total)
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Originally Posted by BigDaddyLoveHandles
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Originally Posted by jazznylon
Last edited by zappaisgod; 12-03-2021 at 12:35 AM.
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Looking through the guitar map on jguitar these are the best chord shapes I could find for Maj 9 (I don't play in standard tuning)
Closed (Drop 4)
1237 - 8xx757
2371 - 7xx695
3712 - 79xx85
7123 - x40x52
Drop 2 and 3
1273 - 8599xx
2317 - 858xx5
3721 - x131x2
7132 - 40x6x7
Drop 2
1372 - x2132x
2713 - 5x400x
3127 - x141x1
7231 - 31xx14
Drop 2 and 4
1327 - 21x1x1
2731 - 3x22x1
3172 - 3x1x31
7213 - x31x21
Drop 3
1723 - 06xx74
2137 - x5x557
3271 - 5x596x
7312 - x1142x
Double Drop 2 and 3
1732 - 1x22x3
2173 - 1x1x33
3217 - 5x5(10)5x
7321 - 11x1x2
String sets are pretty variable for this one unfortunatedly, but I think at some point one has to give the finger to string sets and just play the most comfortable shapes one can find
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Originally Posted by zappaisgod
C E B D’
and permutate it like this, moving each note up to the next note in the pitch set in turn
C E B D’
D B C’ E’
E C D’ B’
B D’ E’ C’’
can get strettttrrrchy
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Originally Posted by jazznylon
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It’s
x 3 2 4 3 x
x 5 9 5 5 x
x 7 x 5 3 7
x x 9 7 5 8
x x 10 9 12 10
These would be ‘drop2s’?
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Originally Posted by Christian Miller
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Originally Posted by pcjazz
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Originally Posted by jazznylon
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