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so i have been try to learn to sight read as of late and i started with what i beleave is a song somewhat simple Aint Misbehavin i have i have a chord meldy chart from Frank Vignola and coulduse some input.
i aslo have some other charts i am wanting to understand why what apears to me the smaechord in the song has multipe names and other chord are sud they work but i am wantingto try and understand what is going on.
if i post a section on the chart can you all help me analize this?
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04-14-2024 07:07 PM
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You've come to the right place, lol.
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Originally Posted by Tal_175
thanks pan
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This is definitely the right place for analizing. Analyzing too.
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Originally Posted by Tal_175
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okay i will start here.
first line i see
Eb Edim Fm F#dim but on the second line i see
Eb C7(b9) Fm7 Bb7
so i was hoping to start with how is the F#dim now called a C7(b9)
the Fm now a Fm7 same three notes?
next i will move to the chord chart after i get my mind around the i fear couding with to much at once LOL
AIN'T MISBEHAVIN'
Key of Eb 4/4
[: Eb Edim | Fm7 F#dim | Eb G7 | Ab Abm |
1._________________________
| Eb C7 | Fm7 Bb7 | G7 C7 | F7 Bb7 :]
2._____________________________
| Eb Abm | Eb G7 | Cm | Ab7 |
| F7 | C7 | Bb | F7 |
| Bb7 C7 | F7 Bb7 || Eb Edim | Fm7 F#dim |
| Eb G7 | Ab Abm | Eb C7 | Fm7 Bb7 |
| Eb | Eb |
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Edim is the same chord as rootless C7b9. It's also sometimes called the diminished dominant.
The chord voicing is the basic drop2 diminished. A diminished chord root can be any one of the roots. It's called E diminished in this case because it's leading to Fmin. It's customary to name a diminished chord with the leading note.
Both C7 and Edim resolve to Fmin.
These are just elementary diminished concepts. Nothing out of ordinary.
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Every diminished chord is also a rootless 7b9.
Whoever made this chart typed in the chords from a lead sheet and just so happened to use the same voicing for a Edim and a C7b9.
The second chord of this tune is often written as diminished a half step above the I...but if you listen to Fats Waller, well...Last edited by mr. beaumont; 04-15-2024 at 06:43 AM.
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the chord chart itself the bottom chart is from Ralph Patt site
the staff is from a Frank Vignola did i am not sure that its franks work or someone else?
aside from what i am trying to understand i also dont see the Eb in bar 3 in my mind i am seeing a f#maj maybe ish?
and i am not seeing the Eb7 as a Eb7 either? and looking at the chord chart i dont see it has a G7 either?
i played it i think it sounds fine payed the as show on staff and the chord chart?
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I see what you're saying. The music and TAB is the same but the chord names are different.
I don't know why it's like that. Where did you find this chart?
I would never have called the first dim chord either Eo or C7b9 as it's notated. I can see the basic chord names make a nice chromatic run (Eb E F F#) but that's not really what's being played.
Some of the other chords too are completely wrongly named and fingered... I won't describe the whole thing. Personally, I'd throw away those chord names and just play the music.
Where did this chart come from?
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Don't answer this theoretically. That's the vanilla chart there and it's probably fine if you're playing chords. EbM7 - Eo - Fm7 - F#o is okay but it's NOT what the fingerings are.
And there more dreadful examples (C7 is fingered as CM7). Whoever published this garbage should be sued!
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Originally Posted by Tal_175
what about the Fm being called a Fm then a Fm7?
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Pan60 -
Ignore the chord symbols, they're wrong. The arrangement seems okay, just play that. But beware some of the fingering, it's silly.
In fact forget it, find a good chart you can trust.
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Originally Posted by ragman1
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Originally Posted by pan60
Don't try to figure this chart out, it's a waste of time. Get another one, a good one.
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Originally Posted by pan60
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Originally Posted by ragman1
i have been using it to help me with site reading and can play it, it looked simpe i just could not understand the chord namimng
i am working with a couple youtbube verstion i have showed down and i am trying to write them out?
i should have been try to learn to read at 6 not 60
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Originally Posted by Tal_175
i would like to find sond more adventurous but as i am not much for reading but i am trying to learn if i just wanted to learn the song i would just want to hear it then work out how i wanted to aproch playing it.
and some stuff can be a challenge and i feel the fool not beeing able to read?
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Originally Posted by pan60
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Originally Posted by pan60
Why would you go down from 6 to 3 then up to 10? Ridiculous. Play the G on 8, second string.
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Originally Posted by ragman1
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You obviously know more than the idiot who wrote the chart!
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Originally Posted by ragman1
i would not be suprized if it wasnt some computer generated chart possible maybe ?
i thought i was just missig some rule that said if its this call it that kinda thing?
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All I can think of is that maybe Vignola (or someone else) scribbled out the TAB by hand and the 8 looked like a 3 on an indeterminate line. And the printers misread it.
But that's just a theory and doesn't explain a lot of other stuff.
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Originally Posted by ragman1
but i am not a 100% sure i think he would have to have some involment but?
at any rate excluding the name i would hope its fine for easing me into some site reading practice? i fear if its to complex i wont be able to follow.
i have some old fake books i guess i should dig them out.
I found this Ibanez rarity
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